Lunchtime Classical Concerts

Lunchtime Classical Music Concerts are held in St Martin’s Church Hall, at 12.15 pm, on the last Wednesday of the month (except, July, August and December).

There is a retiring collection which is used to defray the considerable expenses associated with these concerts - artistes fees, hall hire, publicity materials - and for the benefit of the Myosotis Trust.  The concerts are arranged on a voluntary basis for the benefit of the community and receive no subsidy of any kind.  Your generosity is much appreciated. Thank you.

The concerts are held in St Martin's Church Hall, adjacent to the church.  Directions to the church, public transport and parking details can be found on our location page.

Future Concert Programmes

At St Martin’s we aim to provide serious classical music concerts given by the best artists possible.

CANCELLED - Wednesday 30th January 2019 - Gamal Khamis (piano)


Regretfully this concert has had to be cancelled.

We offer our sincere apologies to our regular audience members.


Wednesday 27th February - Haruko Seki (piano)

Haruko Seki was described by Musical Opinion as "a pianist with an innate ability to communicate with her audience".

She has put together a very varied and enjoyable programme, comprising some very well known pieces but also incorporating some less familiar works which are well worth listening to. She is one of our more popular pianists and has appeared at St Martin’s many times before.

Her technical brilliance in the two Liszt piano transcriptions will not disappoint. We hope you and your friends will be able to attend.

Beethoven - Sonata no. 5 in C minor. Op 10 no. 1 

John Ireland - Decorations,  1) The Island Spell, 2) Moon-Glade, 3) The Scarlet Ceremonies

Schubert - Impromptu No 2 in A flat. Op 142

Schubert/Liszt - Soiree de Vienne, Valse-Caprice No 6 . S427 (piano transcription)

Saint-Saens /Liszt - Danse Macabre. S555 (piano transcription)

Wednesday 27th March - Valentin Schiedermair (piano)


Valentin is another one of our most popular artists, with his engaging introductions to each piece he performs.

Wednesday 24th April - Dinara Klinton (piano)


Another star performer. Sir András Schiff described Dinara as "a real virtuoso, a born pianist, a very natural player".

Wednesday 29th May- Michal Szymanowski (piano)


Michal is an accomplished Polish pianist, who is flying into London for a number of concerts, one of which is at St Martin's.

Wednesday 26th June- Renata Konyicska (piano)


July and August   -   No Concert



Lunchtime Classical Concerts - Past Concert Programmes

Wednesday 26th September - Rokas Valuntronis (piano)

Rokas is an accomplished Lithuanian pianist.

He chose works by Chopin, Debussy and Liszt for his concert.

He started with Chopin’s 5 Mazurkas Opus 7 and followed these with his Ballades numbers 1 and 2, which are amongst Chopin’s greatest works. Finally Debussy’s Images (Book 1) which consist of 3 tone poems entitles Reflections in the water, Tribute to Rameau and Movement, preceded Liszt’s transcription of Gounod’s famous Waltz from his opera ‘Faust’.

A marvellous concert.

Wednesday 27th June - Niel du Preez (piano) 

Niel du Preez opened his recital with Schubert’s gigantic final sonata in B-flat major (D960).

This work contains distinct allusions and similarities to works by Beethoven, a composer Schubert venerated. It consists of four movements, each with a different and unique character.

Next Niel juxtaposed two of Scriabin’s 24 Preludes Op. 11 (numbers 1 and 10) with two preludes by Debussy – The Interrupted Serenade with obvious Spanish influences and What the west wind saw which is one of Debussy’s most virtuosic preludes,

The concert ended with Liszt’s piano transcription of the A minor organ prelude and fugue by Bach (originally written for organ). This is very rhapsodic in nature and is played freely and in a variety of tempi.


Wednesday 29th May - John Granger Fisher (piano) 

John Granger Fisher has established himself as one of Australia’s leading concert pianists.

It has been said of him, “His virtuosity knocked us over. More than that, he simply moved us to tears.”

The concert opened with 3 popular piano transcriptions, namely: the Bach/Busoni - Chorale-Prelude ‘Ich ruf zu dir, Herr Jesu Christ’ (I call to You, Lord Jesus Christ), the very beautiful, Wagner/Liszt - Isolde's Liebestod, and Schumann/Liszt – Widmung.

These were followed by Brahms’s virtuosic Variations on a Theme of Paganini Op 35 Book I.

Finally we heard Preludes numbers 2 and 6 from Rachmaninov’s opus 23 set, followed by 7 of the most famous Chopin Etudes - Opus 10 numbers 1, 6 and 11, and Opus 25 numbers 1, 5, 7 and 12. This concert was filled with wonderful melodies and stunning piano playing.

Wednesday 25th April - Tommaso Carlini (piano) 

Tommaso Carlini flew in from Italy for a series of concerts in London, one of which was at St Martin’s Ruislip.

He prepared a passionate, brilliant and stimulating programme for us to enjoy.

The concert commenced with one of Beethoven’s great piano sonatas - number 23, in F minor, the ‘Appassionata’.

This was followed by a selection of 7 of Liszt’s 12 Transcendental Etudes, which are regarded by many as truly awe-inspiring triumphs of the piano literature.

Wednesday 28th March -  Valentin Schiedermair (piano) 

Valentin is one of our most popular artists, with his engaging introductions to each piece he performs. He chose an interesting and enjoyable programme, based largely round the musical Prelude.

Originally a Prelude was a short musical composition that came before a larger piece. This was certainly true during the Baroque era when J S Bach wrote his two sets of 24 Preludes and Fugues. These are generally regarded as being among the most important works in the history of Western classical music.

However by the time of the Romantic era, the Prelude had more often than not become a stand alone composition, with Chopin, Debussy and Rachmaninov all writing their own sets of 24. We heard in full the Prelude and Fugue in E major BWV 878 by Bach, and a contrasting selection of preludes written by the 3 later composers.

In addition, Valentin performed Scriabin’s emotionally charged Prelude and Nocturne for the left hand, Op 9, written after he had injured his right hand, as a result of over-practicing, and Chopin’s famous Etude Op 25 no1 (nicknamed Aeolian Harp) and his wonderful Ballade no 3 Op 45 concluded the programme.

Wednesday 28th February -  Ashley Fripp (piano) 

British pianist, Ashley Fripp, has been described as “a genuine virtuoso, an astoundingly brilliant and masterly pianist, and his total grasp of the music is a joy to hear.” He frequently appears as solo recitalist, chamber musician and concerto soloist in many of the world's most prestigious concert halls, having performed extensively throughout Europe, Asia, North America, Africa and Australia.

Ashley, who is a regular performer at St Martin’s, prepared a wonderful programme for our February concert. J S Bach’sPartita No. 2 in C minor, was followed by the charming original piano version of Weber’s Invitation to the Dance. A set of four delightful Chopin Mazurkas Op 24 preceded the climax of the concert, Chopin’s Andante spianato et grande polonaise brillante. Here the thematically exquisite Andante spianato section is followed by the technically demanding and magnificent grande polonaise brillante.


Wednesday 31st January - Vitaly Pisarenko (piano) 

Vitaly is an "immensely gifted pianist and first prize winner of the 8th International Franz Liszt Piano Competition in Utrecht, and third prize winner of the very prestigious Leeds International Piano Competition 2015”.

Vitaly, who was born in Kiev, Ukraine, proposed a particularly enjoyable concert for us in January. It included Brahms’s Theme and variations, for piano in D minor Op18b, which is a piano transcription of the very beautiful slow movement of his String Sextet Opus 18, which was followed by his less well known Scherzo Op.4 in E-flat minor, written by him when he was just 18 years old.

The concert continued with Debussy’s Images Oubliées or Forgotten Images – the first two of which are delightfully slow and uplifting musical impressions, with the third marked very fast.

Chopin’s Scherzos No. 1 and 2 need no introduction to our Ruislip audiences, and are always a joy to listen to. The concert concluded with the technically brilliant Hungarian Rhapsody No. 10 by Franz Liszt.